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Home Digital Frontier

Adobe unveils new innovations for video professionals, commits $6M to support filmmaker community

by MN4U Bureau
January 23, 2025
in Digital Frontier
Reading Time: 3 mins read
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San Jose: Adobe announced significant updates to its video tools, including Adobe Premiere Pro, After Effects, and Frame.io, aimed at streamlining workflows and accelerating production for video professionals. Coinciding with the 2025 Sundance Film Festival—where nearly 85% of films relied on Adobe Creative Cloud tools—the company also revealed a $5 million expansion to its Adobe Film & TV Fund and a $1 million charitable grant to support Los Angeles creative communities impacted by recent wildfires.

The latest updates to Adobe Premiere Pro, After Effects, and Frame.io introduce powerful tools to address long-standing challenges faced by video creators.

Key features include:

  • Media Intelligence & Search Panel (Premiere Pro beta): This AI-powered tool enables editors to locate specific clips faster by recognizing objects, locations, camera angles, and metadata within massive libraries.
  • Caption Translation (Premiere Pro beta): Automates multilingual caption generation in 17 languages, reducing costs and time while enhancing global reach.
  • Improved Caching (After Effects): Enables faster playback of cached compositions for motion designers.
  • Enhanced HDR Support (After Effects): Improves the import, monitoring, and export of high-dynamic-range content.
  • Frame.io Camera to Cloud (C2C) Expansion: Now supports Canon EOS C80 and EOS C400 cameras, allowing instant media uploads, real-time collaboration, and seamless integration between production and post-production.

“We’re passionate about empowering filmmakers to tell their stories and realize their creative vision,” said Ashley Still, Senior Vice President and General Manager, Adobe Creative Cloud. “These innovations will bring time savings and career support so they can focus on inspiring and captivating audiences worldwide.”

Adobe and the Adobe Foundation have expanded their Adobe Film & TV Fund, committing an additional $5M to support underrepresented creators. This brings the total fund to $11M, supporting fellowships, funding, and training opportunities for diverse filmmakers.

As part of this initiative, Adobe partnered with Group Effort Initiative (GEI) to provide mentorship, training, and career development for aspiring filmmakers, editors, and marketers.

Adobe tools are once again central to Sundance’s storytelling. According to the annual Sundance Institute survey, 85% of this year’s films used Adobe Creative Cloud tools like Premiere Pro, Frame.io, After Effects, and Photoshop. Featured films include “Opus,” “By Design,” and “Bunnylovr.”

Prominent filmmakers highlighted Adobe’s role in their creative process:

“We cut Opus in Adobe Premiere Pro using Productions. My offline editorial philosophy is to get everything outside the picture edit—sound, VFX, color, etc. as close to final as possible. Premiere Pro and After Effects really allows us to do this seamlessly with a small team, making the process more fun and efficient.” — Ernie Gilbert, editor, “Opus”

“The magic of Premiere Pro is how easy and seamless it is to work with so many different types of media. All of our sources were different frame rates, sizes, colors, you name it. The solutions were embedded in the application to make these elements work harmoniously and made swift work on things like a temporary blur and to lighten up some rough darkness in night footage.” — Viridiana Lieberman, editor, “The Perfect Neighbor”

“The ‘review with Frame.io’ panel is a godsend! Especially when you need to quickly digest feedback. On this show, I used it to render cuts directly to my account where Amanda and the Producers added notes and then downloaded as comment markers. Then, next round: rinse, repeat. Brilliant.” — Benjamin Shearn, editor, “By Design”

Adobe’s tools have been instrumental in recent award-winning and nominated works, including “The Bear” and “Anora,” and Academy Award shortlists like “Frida” and “Black Box Diaries.”

“Adobe Premiere Pro has been a go-to tool for me because of its versatility and ability to handle everything from quick edits to detailed, complex sequences,” said Sean Baker, Writer, Director and Editor of Anora, winner of the 2024 Cannes Film Festival Palme d’Or, and 2024 American Cinema Editors (ACE) nominee for Best Edited Feature Film (Comedy, Theatrical). “For Anora, it was important for me to experiment freely while staying true to the story’s authenticity and Premiere Pro allowed me to do that.”

In addition to expanding support for filmmakers, the Adobe Foundation has made a $1M charitable grant to assist Los Angeles creative communities affected by wildfires. This grant will benefit the California Community Foundation: Wildfire Recovery Fund and the Entertainment Community Fund.

As Adobe continues to innovate, it solidifies its position as a driving force behind culture-defining storytelling while fostering inclusivity and accessibility across the film and television industry.

Tags: AdobeBenjamin ShearnViridiana Lieberman

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