Saturday, December 13, 2025
MediaNews4U
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit
MediaNews4U
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit
MediaNews4U.com
Home Analysis

The peak of 2019 may not be easy to reach anytime soon for Hollywood in India: Ormax Media

by MN4U Bureau
April 16, 2025
in Analysis
Reading Time: 5 mins read
A A
Films released in May 2025 grossed Rs. 1,136 Crores at the domestic box office; Hollywood rebounds: Ormax
Share Share ShareShare

MUMBAI: By aligning innovative content with robust marketing campaigns, Hollywood will hope to recapture momentum in India. Post-pandemic successes like ‘Avatar: The Way of Water’ and ‘Oppenheimer’, along with a rise in appeal for animated films, demonstrate that while the superhero wave may have fallen, Indian moviegoers still crave cinematic experiences that promise spectacle and quality. However, the peak of 2019 may not be easy to reach anytime soon.

Ormax Media has published a report ‘Hollywood in India: The decline in numbers’. This is an analysis of Hollywood’s fluctuating fortunes at the Indian box office, before and after the pandemic

– In the years before the pandemic (2019), Hollywood’s Indian box office reached a historic peak of Rs. 1,595 crore gross and a 15% share

– Franchises and shared universes, especially in the superhero genre, propelled Hollywood’s growth in India, but the momentum began to fade after Avengers: Endgame (2019)

Plagued by superhero fatigue, Hollywood struggled to regain its market share in India once theatres re-opened 2022 onwards

– Blockbusters outside the superhero genre showed that Indian audiences are becoming more accepting of large-scale spectacle and diverse storytelling outside the superhero genre

Hollywood films have had a rollercoaster run at the Indian box office over the past decade. In the late 2010s, they rode high on the capes of superheroes, achieving unprecedented box office success in India. But the pandemic brought that momentum to a halt, and the years since have been those of decline. In this analysis, we dive deep into Hollywood’s India box office journey – from the pre-pandemic peak powered by the Marvel Cinematic Universe (MCU) and other superhero franchises, to the post-pandemic landscape where Hollywood’s share has ebbed, but fresh genres beyond the superheroes have emerged as contenders.

The 2019 Peak

Hollywood’s earnings in India climbed steadily through the 2010s, reaching an all-time high of ₹1,595 crore in 2019. This growth was dramatic – Hollywood’s slice of the Indian box office reached a sizeable 15% in 2019, making it the second highest contributor by language (behind only Hindi cinema). 2019 became a landmark year for Hollywood in India, as total Hollywood gross in India (across English and dubbed versions) exceeded those of the Tamil and Telugu industries.

Indian audiences, increasingly exposed to global content and lured by big-screen spectacle, were turning out in record numbers for Hollywood releases. This pre-pandemic boom was fueled by event films that became virtual holidays for young urban audiences. Global franchises invested heavily in localized and tailor-made marketing for the Indian audiences. The strategy paid off handsomely, and by 2019, Hollywood studios were no longer niche players in India – they were vying with local industries on the top grosser charts. It truly seemed like Hollywood had found its stride in India, with superhero movies leading the charge. But as the pandemic hit in 2020, an important question emerged: How long was this peak going to last?

Superheroes: From Vanguard To Fatigue

If one genre can be credited for Hollywood’s late-2010s dominance in India, it’s the genre. The MCU (and other competing universes such as DCEU) built a massive fan following in the country. Each new Avengers installment became a bigger event than the last. ‘Avengers: Endgame’ (2019) was the pinnacle. It opened upward of ₹50 Cr on its first-day, and went on to gross a record ₹433 Crores in India. That year saw multiple superhero hits of varying levels – ‘Captain Marvel’, ‘Spider-Man’: ‘Far From Home’, ‘Joker’, ‘Shazam!’ – all of which contributed to a major chunk of Hollywood’s Rs. 1,500+ Crores tally.

This was a period when the supply was ample too. Marvel Studios alone rolled out three films each in 2018 and 2019, each eagerly anticipated by fans, while DC and other franchises added to the count. This combination made superheroes the vanguard of Hollywood’s surge.

However, maintaining this momentum proved challenging in the aftermath of Avengers: Endgame. Additionally, Robert Downey Jr.’s portrayal of Iron Man, and the character’s death in Avengers: Endgame, culminating a decade of universe-building, became a watershed moment for superhero fans in India. While MCU’s Phase 4 (2021–22) introduced a slew of new heroes and stories, the reception was severely muted. Globally, the notion of “superhero fatigue” began to gain traction – and India was no exception.

Post-Endgame, select MCU films still drew crowds (e.g., Doctor Strange in the Multiverse of Madness managed a respectable run in 2022), but they no longer broke records. Many underperformed relative to expectations, echoing a worldwide trend where nearly every superhero movie in 2023 fell short of the billion-dollar mark (none even crossed $400M in the US, with only ‘Guardians of the Galaxy Vol.3’ and ‘Spider-Man: Across the Spider-Verse’ coming close). Even DC’s iconic characters struggled. Films like ‘The Flash’ and ‘Shazam! Fury of the Gods’ fizzled out quickly. The post-Endgame emerged as a new challenge, as audiences grew pickier about which cape-wearing adventures were truly theatre-worthy.

Post Pandemic and Hollywood’s Decline In Share

As a result, Hollywood’s overall market share in India shrank from around 15% in 2019 to single digits by 2023. This was also mirrored in the decline in footfalls, with numbers dropping from 4.8 Cr (2023) to 3.8 Cr (2024), making 2024 one of Hollywood’s weakest years in India.

Crucially, the impact of superhero releases on Hollywood’s India earnings has been diminishing. Before the pandemic, a single Marvel mega-release could contribute 20–30% of the entire annual Hollywood box office in India. But after 2020, this trend saw a visible decline. ‘Spider-Man: No Way Home’ (December 2021) was a notable exception. Tapping into nostalgia and a franchise-crossover buzz, it grossed about Rs. 250 Crores in India and single-handedly buoyed Hollywood’s 2021 recovery. Outside of it, though, other Marvel Phase 4 titles (Eternals, Black Widow, and Shang-Chi) managed only modest numbers in India.

By 2022, Indian theaters had fully reopened, but Hollywood released fewer films than before, and while big tentpoles like ‘The Batman’, ‘Doctor Strange into the Multiverse of Madness’, ‘Jurassic World Dominion’ and ‘Avatar: The Way of Water’ kept the box office going, it wasn’t a record year. In 2023, the Indian box office soared to a record ₹12,000 Cr overall, yet Hollywood’s share dipped to 9%. The share of the superhero genre saw a steep decline, from a peak of 50% in 2018-19, to less than 25% in 2023.

New Blockbusters On The Horizon

Interestingly, as superhero fare lost its dominance post-pandemic, other Hollywood blockbusters stepped into the limelight in India. Audiences, still hungry for grand spectacle and strong storytelling, began embracing sci-fi epics, biographical dramas, creature features, and animated adventures. The biggest example is James Cameron’s ‘Avatar: The Way of Water’ which grossed Rs. 471 crore in India, surpassing ‘Avengers: Endgame’ as the highest-grossing Hollywood release ever in the country. Drawing on the legacy of the first Avatar film, and Cameron’s immersive 3D world, it appealed across demographics, proving one needn’t have to be a superhero film to captivate Indian viewers (read on the film’s exceptional performance in South India).

Another standout was Christopher Nolan’s ‘Oppenheimer’: an R-rated, dialogue-heavy film that still fetched ₹158 Crore in India, helped by Nolan’s fan following, the film’s Imax “event” stature, and the much-discussed “Barbenheimer” phenomenon in July 2023. Even earlier Nolan titles, like Interstellar, have enjoyed re-runs and sustained interest, illustrating that the Indian audience has an appetite for mind-bending, high-concept filmmaking.

Beyond these blockbusters, the Monsterverse caught on during the pandemic reopening phase, signaling an eagerness for large-scale creature battles. Meanwhile, animated features like ‘Spider-Man: Across the Spider-Verse’, ‘The Super Mario Bros. Movie’ and ‘Frozen 2’ have all found traction, proving that Hollywood’s success in India now spans a broader range of genres. 2024 saw five animated films namely ‘Mufasa: The Lion King’, ‘Kung Fu Panda 4’, ‘Inside Out 2’, ‘Moana 2’ and ‘Despicable Me 4’ in the top 10 Hollywood-grossers in India, even as the once-dominant superhero genre has significantly faded.

Tags: AvatarFranchisesHollywood's Indian box officeOppenheimerOrmax Media

RECENT POSTS

LS Digital introduces DigiVerse 2.0, a transformative marketing solution.
Analysis

India’s AI-native future requires a careful balance between hyper-personalisation ambition and regulatory responsibility: LS Digital’s report

December 10, 2025
0

MUMBAI: LS Digital, a leading independent Digital Business Transformation (DBT) company, has released an analysis on the state of AI...

Read moreDetails
Only 25% of India’s Influencer Marketing Spend Flows Through Agencies, 75% Direct with Creators: KlugKlug
Analysis

Only 25% of India’s Influencer Marketing Spend Flows Through Agencies, 75% Direct with Creators: KlugKlug

December 9, 2025
0

New Delhi: KlugKlug, a global Influencer Marketing SaaS platform, has unveiled data revealing that India’s influencer marketing industry has surpassed...

Read moreDetails
3 out of 4 D2C brands now rely on creators to drive sales: New Playbook by DSGCP, Meta & ViralMint
Analysis

3 out of 4 D2C brands now rely on creators to drive sales: New Playbook by DSGCP, Meta & ViralMint

December 9, 2025
0

Mumbai: India’s consumer-brand ecosystem is entering a pivotal decade, driven by a surge of digital-first D2C brands, rising consumption across...

Read moreDetails
2026 set to be the year of guaranteed income for content creators: Trendweave
Analysis

2026 set to be the year of guaranteed income for content creators: Trendweave

December 9, 2025
0

Gurugram: The creator economy continues to expand at a phenomenal pace, with global valuations reaching $104 billion and over 207...

Read moreDetails
93% of organised retail space sits within shopping centres in Tier 1 market: Knight Frank India
Analysis

93% of organised retail space sits within shopping centres in Tier 1 market: Knight Frank India

December 9, 2025
0

Mumbai: Knight Frank India has released its flagship retail report, Think India, Think Retail 2025 – Value Capture: Unlocking Potential,...

Read moreDetails
IPL Ecosystem Value Drops 20% Amid Geopolitical Headwinds; MI Retains Top Spot, CSK Leads on Brand Strength
Analysis

IPL Ecosystem Value Drops 20% Amid Geopolitical Headwinds; MI Retains Top Spot, CSK Leads on Brand Strength

December 9, 2025
0

Mumbai: The Indian Premier League (IPL) has recorded a 20% decline in ecosystem value in 2025, falling from USD 12.0...

Read moreDetails

LATEST NEWS

Network18 Realigns Editorial Structure at CNN-News18; New Roles for Zakka Jacob and Rahul Shivshankar

Network18 Realigns Editorial Structure at CNN-News18; New Roles for Zakka Jacob and Rahul Shivshankar

December 12, 2025
India Today Group Leadership Rings Ceremonial Bell at NSE to Mark 50 Years of Excellence

India Today Group Leadership Rings Ceremonial Bell at NSE to Mark 50 Years of Excellence

December 12, 2025

ANALYSIS

LS Digital introduces DigiVerse 2.0, a transformative marketing solution.
Analysis

India’s AI-native future requires a careful balance between hyper-personalisation ambition and regulatory responsibility: LS Digital’s report

December 10, 2025
0

MUMBAI: LS Digital, a leading independent Digital Business Transformation (DBT) company, has released an analysis on the state of AI...

PEOPLE

GlobalLogic strengthens executive team to accelerate AI-led transformation
People

GlobalLogic strengthens executive team to accelerate AI-led transformation

December 12, 2025
0

New Delhi: GlobalLogic Inc., a Hitachi Group Company and leader in digital engineering, has announced key leadership transitions and promotions...

MARKETING

UP Warriorz join hands with Joy Personal Care to promote confidence and wellbeing
Marketing

UP Warriorz join hands with Joy Personal Care to promote confidence and wellbeing

December 12, 2025
0

Mumbai: Capri Sports–owned UP Warriorz has partnered with Joy Personal Care, the leading Indian skincare brand under RSH Global, marking...

Subscribe to Newsletters

ADVERTISING

Shailja Varghese Steps Down as Omnicom Media Group India’s Chief Content Officer Amid Industry Shifts
Advertising

Shailja Varghese Steps Down as Omnicom Media Group India’s Chief Content Officer Amid Industry Shifts

December 12, 2025
0

Mumbai: Omnicom Media Group India’s Chief Content Officer, Shailja Varghese, has exited the organisation, marking one of the first senior-level...

PRINT

Durga Chakraborty joins Dainik Bhaskar Group as Corporate Sales Head – South India
Print

Durga Chakraborty joins Dainik Bhaskar Group as Corporate Sales Head – South India

November 21, 2025
0

Mumbai: Dainik Bhaskar Group, India’s largest newspaper group, has further strengthened its leadership presence in the southern market with the...

AUTHOR'S CORNER

The Age of AI Browsers: Will Atlas, Perplexity, and Gemini Redefine SEO & Discovery?
Authors Corner

The Age of AI Browsers: Will Atlas, Perplexity, and Gemini Redefine SEO & Discovery?

December 12, 2025
0

These are the times when you get up in the morning and half of your world changes, at least digitally....

UPLIFT MEDIANEWS4U DIGITAL PVT LTD
No. 194B , Aram Nagar 2, JP Road,
Versova, Andheri West
Mumbai - 400061

For editorial queries:
[email protected]
[email protected]

For business queries:
Smitha Sapaliga - +91-98337-15455
[email protected]

Recent News

ICC–JioStar

ICC–JioStar Affirm Media Rights Deal Remains Intact, Dismiss Withdrawal Speculation

December 12, 2025
Network18 Realigns Editorial Structure at CNN-News18; New Roles for Zakka Jacob and Rahul Shivshankar

Network18 Realigns Editorial Structure at CNN-News18; New Roles for Zakka Jacob and Rahul Shivshankar

December 12, 2025
India Today Group Leadership Rings Ceremonial Bell at NSE to Mark 50 Years of Excellence

India Today Group Leadership Rings Ceremonial Bell at NSE to Mark 50 Years of Excellence

December 12, 2025

Newsletter

Subscribe to Newsletters

Medianews4u.com © 2019 - 2025 All rights reserved.

  • The South Side Story 2023 Download Report
  • Goafest 2023: Day 3
  • Goafest 2023: Day 2
  • Goafest 2023: Day 1
  • Straight Talk Gallery 2022
  • The South Side Story 2022 Download Report
  • Focus 2022
  • Futurescope Conclave Gallery 2022
  • The South Side Story 2021 Download Report
  • FOCUS 2021
  • Exclusive
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit

Medianews4u.com © 2019 - 2025 All rights reserved.